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Trump Threatens 100% Tariff on Foreign-Made Films

Associated Press
September 30, 2025 | 3:46 pm
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The Hollywood Sign is seen in Los Angeles, Thursday, Jan. 9, 2025. (AP Photo/Damian Dovarganes)
The Hollywood Sign is seen in Los Angeles, Thursday, Jan. 9, 2025. (AP Photo/Damian Dovarganes)

Washington. President Donald Trump says he will impose a 100 percent tariff on movies made outside the United States, a sweeping but vague directive aimed at protecting an industry that America already dominates.

Claiming Hollywood production “has been stolen,” Trump wrote on his Truth Social platform: “I will be imposing a 100 percent tariff on any and all movies that are made outside of the United States.”

How such tariffs would work remains unclear, since films and TV shows can be transmitted digitally without crossing ports. It is also uncertain whether the measure would apply to US productions shot abroad, such as the James Bond or Jason Bourne franchises, or what legal authority the president would invoke.

Trump first floated the idea in May but has yet to specify when the tariffs would take effect.

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Movies make an unusual front in a trade war. “Unlike any other country’s film industry, US movies are the most accessible, well-known, and best performing due to the numerous language options and worldwide reach provided by US-based studios,” Jacob Jensen of the American Action Forum, a center-right think tank, wrote in July.

The US already holds a commanding lead in global film exports. According to the Motion Picture Association, American films generated $22.6 billion in exports in 2023, creating a $15.3 billion trade surplus. A recent report noted that US films “generated a positive balance of trade in every major market in the world.”

Barry Appleton, co-director of the Center for International Law at the New York Law Center, warned that other countries could retaliate with levies on US films or other services. “Brand America is way, way ahead,” he said. “What this policy does is actually cook the golden goose that’s laying the golden eggs.”

Tariffs have long been Trump’s go-to tool to extract concessions from trading partners, reversing decades of U.S. support for lower trade barriers. He has imposed steep duties on a wide range of imports, from heavy trucks and pharmaceuticals to kitchen cabinets and bathroom vanities.

But movies raise thornier issues because they involve intellectual property and services rather than physical goods.

Why target films?
Trump has invoked national security concerns, the same justification he has used in other tariff cases. In May, he claimed the American movie industry was “dying a very fast death” as foreign governments lured away productions with incentives.

Hollywood has faced setbacks in recent years, including the COVID-19 pandemic, the 2023 guild strikes, and wildfires in California. At the same time, production has shifted from California to other US states such as Georgia and New Mexico, and abroad to countries like Canada.

Still, international markets remain critical. Overseas audiences accounted for more than 70 percent of Hollywood’s box office revenue last year, said Heeyon Kim, a strategy professor at Cornell University. Tariffs and retaliation could cost the US billions in lost earnings and thousands of jobs, she warned.

“This makes no sense,” Kim said. “Such tariffs could undermine a thriving part of the US economy.”

The International Alliance of Theatrical Stage Employees, representing behind-the-scenes workers, acknowledged the threat from international competition but recommended federal production tax incentives instead of punitive tariffs.

Can tariffs even apply?
Experts doubt it. “Traditional tariffs apply to physical imports, but film production is primarily digital,” said Ann Koppuzha, a business law lecturer at Santa Clara University. She noted that film services might be taxed, but that would require congressional approval.

Film production is also inherently global. Many US blockbusters are filmed abroad to take advantage of tax breaks. Warner Bros.’ Harry Potter series, for instance, was almost entirely shot in the U.K.

“When you make blanket rules, you miss the nuance of how production works,” said industry veteran Steven Schiffman of Georgetown University. “Sometimes you just need to go on location because it’s too expensive to replicate on a soundstage.”

Risks of retaliation
Imposing tariffs on foreign-made films could open the door to retaliation in other cultural sectors. Some countries may revive screen quotas to boost domestic films, reducing Hollywood’s access to overseas markets. Others could target related US intellectual property, such as music or gaming.

“There’s no precedent,” Koppuzha said. “And even if it were possible, the blowback could be severe.”

For now, Trump’s movie tariff threat remains more political theater than policy, but one with potentially global consequences if carried out.

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